Maru (
yakalskovich) wrote2011-05-28 05:51 pm
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Epic fantasy is epic
Slowly getting hooked on 'Game of Thrones'. I like how they take time to tell the story, give you time to start caring about all those characters. My favourites so far are Tyrion Lannister, and Littlefinger, and I must admit to a certain predilection for Danaerys despite the fact there this feeling of "one trope too many" around her which so far prevents her from developing much non-tropical personality.
I find it slightly worrying that the entire series of books isn't even completely written yet. Eventually, Wikipedia assures me, people are certain that the three story lines (only starting out at where I am) of a power struggle in King's Landing, Danaerys beyond the sea, and Jon Snow up at the Wall will come together. But how can they if they aren't written yet?
What I like is how there are really alien elements in the familiarity of High Fantasy's perpetual middle ages, starting with the odd square things the priests (or whatever, Maesters?) wear on their shoulders at Jon Arryn's funeral rites at the very beginning, mediterrenean/oriental elements both in King's Landing and beyond the sea, and the steampunk/fallen former technical civilisation elements at the Wall. Suddenly, clockwork elevators and steel t-beam constructions, whoops! That tells us that many long winters ago/before the dragons came/ whatever, civilisation was much more advanced. The Wall itself -- what in blazes might have built it?
So many delightful answers that might be so many years in the coming. I don't know that I'll want to read the books (my to-be-read-pile has reached Pluto, who tells the books on top of the stack that he's a planet, never mind what those haters say), but I guess until somebody commits bad shark-jumping the way Supernatural has, I'll be along for the ride, show-wise.-
ETA: Ahahahahahahhhh, Guppy Sandhu as a barbarian warrior! I knew I know that face!!! That made me hoot with laughter, and totally killed my Suspension of Disbelief there, as bad as Caserta in Star Wards Episode 1... Now I scared the cats away with my raucous laughter.-
ETA2: Now with pictorial proof:

I find it slightly worrying that the entire series of books isn't even completely written yet. Eventually, Wikipedia assures me, people are certain that the three story lines (only starting out at where I am) of a power struggle in King's Landing, Danaerys beyond the sea, and Jon Snow up at the Wall will come together. But how can they if they aren't written yet?
What I like is how there are really alien elements in the familiarity of High Fantasy's perpetual middle ages, starting with the odd square things the priests (or whatever, Maesters?) wear on their shoulders at Jon Arryn's funeral rites at the very beginning, mediterrenean/oriental elements both in King's Landing and beyond the sea, and the steampunk/fallen former technical civilisation elements at the Wall. Suddenly, clockwork elevators and steel t-beam constructions, whoops! That tells us that many long winters ago/before the dragons came/ whatever, civilisation was much more advanced. The Wall itself -- what in blazes might have built it?
So many delightful answers that might be so many years in the coming. I don't know that I'll want to read the books (my to-be-read-pile has reached Pluto, who tells the books on top of the stack that he's a planet, never mind what those haters say), but I guess until somebody commits bad shark-jumping the way Supernatural has, I'll be along for the ride, show-wise.-
ETA: Ahahahahahahhhh, Guppy Sandhu as a barbarian warrior! I knew I know that face!!! That made me hoot with laughter, and totally killed my Suspension of Disbelief there, as bad as Caserta in Star Wards Episode 1... Now I scared the cats away with my raucous laughter.-
ETA2: Now with pictorial proof:

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Hey, do you know any good sources on day-to-day treatment in US state hospitals circa 1915? For a fic. :)
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Well, keep me in mind if you come across anything. I am writing the
Trust me to pick one that is nigh near impossible to research...
*sigh*
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Especially as you're looking for the daily lives of these people, and not grand sweeping theoretical approaches.-
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I did find some info on the Burghölzli when Jung was working there, but I am not certain how much we can draw from that.
Certainly there was a move away from asylums to state hospitals and shock therapy didn't commence until the end of the 20s, but with all the immigration (some 5,000 people a day into Ellis Island from Eastern Europe) and discussion of eugenics and "undesirables" in the changing society, I can't help but wonder how those deemed "insane" were treated.
Of course, my fic deals with the treatment of an affluent member of society, but I would like to know what was going on with the others.
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That's the catch. The son is a homosexual and rather than risk exposure (which would be a sign of failure for the mother in her capacity as well as moral failure of the family), they opt to send him to a clinic once visited by Jung and Freud (during their lectures at Clark University).
The family resides in Illinois which was notorious in its treatment of homosexuals - castrating those for consensual sex as well as first degree sodomy.
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*head desk*
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Yes, there were. There were quite early alternatives to those horrid state asylums.
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K, I am off to work. Catch you on the flip side. :)
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Actually the state hospitals were a vast improvement over the asylums -- which were essentially holding pens for anyone deemed unfit.
The danger is the state hospitals is that this was the era of eugenics and the beginning of experimentation in psychiatry. While the insulin-induced seizures were not yet tested, the idea of "shocking" the brain into fixing itself was already being discussed.
And then we enter the 1930s and the nightmare era.
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And that is why old state hospitals are such a favourite subject for scary stories of all sorts. I don't know how much you want to make your protagonist suffer, but with a little stretch of imagination, you can have really bad things happen to him. Or not, if you go for the private clinic things.-
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Well, there are two of them actually. One is an immigrant who has witnessed unspeakable things in the old country and then in the treatment of immigrants in America. The other -- the gay one -- is from a wealthy, sheltered existence who has never experienced anything negative in his life.
Until he meets his friend who "corrupts" him, in the minds of his parents. In the end, he is forced to sign a statement to that effect which results in the imprisonment of his friend. (The friend is an adult; the character is 17).
After a severe bout of depression and a half-hearted suicide attempt, his mother whisks him out of town to seek help from a forward-thinking group of psychiatrists, neurologists, psychologists. I chose the group in Worcester as they were exposed to Freud and Jung (Hall, the head of the group, was the one to invite Freud to give the lectures). Hall is certainly not a savory character (he was a eugenicist and a proto-Nazi), but he exemplifies a major current in the society at large.
As character #2 (our immigrant friend) is a doctor, I also felt he would be able to find a place in this environment -- working in some lowly position that enables him to observe the masters at work.
The story is a series of conversations between the young, depressed boy who is unable to accept what happened to his friend (and himself, mostly) and the older man who has witnessed so much over the course of time.
I think the suffering is crucial because it shows the young, rich boy how comparatively cushy his life is.
But perhaps I just have an axe to grind. LOL
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:D
Also, I have been looking into modes of transportation outside of the big cities (Worcester isn't Egypt, but it's hardly New York). I actually assumed that the standard form of transportation would still be carriage for the streets (trains for the longer haul).
Thoughts?
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When I looked at the stats, even in the 1930s, only 1 family in 4 owned a car and the roads were so unreliable, it was more of a nuisance to have one.
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